
I work in two ways:
1) as a Movement Director whose understanding is simply informed by Feldenkrais.
Full CV here
2) as a Feldenkrais Teacher in Drama schools or with theatre companies or individuals either as part of a project or for professional development (see below).
The Method can help an actor or performer:
However there are many other more profound and very interesting aspects to engage performers/actors at every stage of their careers which I have written about in detail the article you can find at the link. They include:
I am also exploring the idea that it can be used as a good way in to understanding Stanislavsky's idea of the psycho-physical by giving actors the skills to sense the physiology of feeling states.
I am really open to any more collaborative or research Ideas. However the basic tools are:
1 hour (or less) lessons for groups (Awareness Through Movement) which can be (for example):
1 hour individual sessions (Functional Integration) usually on a low wide table in which the Feldenkrais Practitioner uses gentle touch to guide movements rather than the verbal guidance of Awareness Through Movement lessons. These sessions can be more specifically focussed to an individual performer's interests or needs and address any pain or difficulty as well as improving particular skills.